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Marian Text 1554. Designed by Paul Barnes, Commercial Type...
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Marian Text 1554. Designed by Paul Barnes, Commercial Type...
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Dan Rhatigan on Ryman Eco
Monotype’s Dan Rhatigan discusses Ryman Eco, the world’s most beautiful sustainable font. rymaneco.co.uk
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First beta peek at GT Super Display Super, by Grilli Type...
First beta peek at GT Super Display Super, by Grilli Type Foundry. Coming 2015. http://ift.tt/1uSos45
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First beta peek at GT Super Display Regular, by Grilli Type...
First beta peek at GT Super Display Regular, by Grilli Type Foundry. Coming 2015. http://ift.tt/1uSos4f
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Bespoke typeface for the redesign of New York Observer. Design...
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A Gareth Hague A–Z – An unused idea for Instagram...
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Lettering by Gareth Hague http://ift.tt/1ubjX8Q
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Ostia by Yoann Minet http://ift.tt/1o5JY71
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Yoann Minet http://ift.tt/1xP1JqM
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Theater Basel typeface (Ludovic Balland & Yoann Minet, 2012)...
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Black Sabbath http://ift.tt/1xuOb5Z
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Pottery Twenty by Laurenz Brunner http://ift.tt/1xvncGu
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Lab Grotesque, by Stockholm Design Lab & Letters From...
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Lab GrotesqueDesigned by Stockholm Design Lab Developed in...
Lab Grotesque
Designed by Stockholm Design Lab
Developed in close collaboration with Letters from Sweden and soon available for anyone to purchase and use.
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SabreDesigned by by Gareth Hague Sabre incised sharp angles,...
Sabre
Designed by by Gareth Hague
Sabre incised sharp angles, triangle serifs, squarish shape and bold contrast.
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Tate BowlesDesigned by John Morgan Studio We designed a display...
Tate Bowles
Designed by John Morgan Studio
We designed a display alphabet inspired by the set of roman and italic print alphabets printed by Carington Bowles in London in 1775, originally published for the use of signwriters and letter cutters. It is a sympathetic ‘British vernacular’ letterform for a British building displaying British Art. Variants of this letterform are cast in brass for external signs and silkscreened directly onto the interior gallery walls.
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Caslon EgyptianDesigned by John Morgan Studio We have developed...
Caslon Egyptian
Designed by John Morgan Studio
We have developed our studio interpretation of William Caslon’s two-line Egyptian from 1816, arguably the first sans-serif printing type to be sold commercially. We have used variations on this type for signage and the study room at the John Soane’s Museum (with Caruso St John architects), signage at Café Royal (with David Chipperfield Architects) and as an identity for DRDH architects.
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Port OneDesigned by Matt Willey.
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NizioletiDesigned by John Morgan Studio Stencil alphabet...
Nizioleti
Designed by John Morgan Studio
Stencil alphabet designed for Common Ground, Venice Architecture Biennale 2012
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